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Last Exercise in Cynicism

by Dead Skin Sessions

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1.
2.
I am bludgeoned by mindless optimism In between my eyes I drill a deep incision One last time, let’s see a rise, a rise in cynicism One last time, an exercise; a rise in cynicism One last time... I am compromised by reckless motivation On my skin I draw lines To guide the lacerations One last time, let’s see a rise, a rise in cynicism One last time, an exercise; a rise in cynicism One last time let’s see a rise, a rise in cynicism
3.
Resort 04:38
Sitting on an orange sun lounger Underneath a yellow parasol All that’s left at the bottom of the pool Is a tone of ash and a foot of black mould And a swollen shadow of a diving board Looms over the deep end with menace Mud comes trickling down Mud comes trickling down Every marble step Like a staircase for the dead Lika a fountain out of hell Wrap myself up in a nylon dust sheet Salvaged from the fallen scaffold The wind is blowing up the tarpaulin The sun is grey and the air is getting cold And an iron claw of an unmanned crane Is circling above the complex I begin my ascent I begin my ascent Up the marble stairs – like a staircase for the dead To the highest board Above the empty pool Chlorine stains the walls I feel nothing as a I fall A barrier gate is bent and snapped Where it’s been hit on impact Like the damaged frame of a vending machine That’s been thrown down a stair well Mud is trickling down Mud is trickling down Like a fountain out of hell I begin my ascent I begin my ascent Up the marble steps – like a staircase for the dead To the highest board My shadow fills the floor Of the empty pool It grows larger as I fall…
4.
Sour Satsuma 02:31
Graphic novelisation where no drawing speaks Painted civilisation where the contrast depletes You bite the sour satsuma Then share your wince with the sky Then with your partner sleeping You squeeze the juice in their eye A sacred destruction For the punished kind An accurate reconstruction gave you some misguided piece of mind You bite the sour satsuma Then spit your tears in the sea You hold the mouth of your partner And drop each poisonous seed With military precision you shoot the drone from the air It comes crashing down, smashing down Shattering, scattering secrets to steal then to share And like a witness description that’s influenced by deceit The stems start to coil around your partner From the mouth binding arms and their feet You bite the sour satsuma
5.
Run your sweet and loving fingers along the serrated edge Run your sweet and loving fingers along the serrated edge Tear the silk from the thread Run your sweet and loving fingers along Run your sweet and loving fingers As the light is reflected up, reflected from the blade To your eyes they dilate like a wolf before its prey Run your sweet and loving fingers along the serrated edge Run your sweet and loving fingers along the serrated edge The artist paints the canvass red Run your sweet and loving fingers along Run your sweet and loving fingers As the light is reflected up, reflected from the blade To your eyes they dilate like a wolf before its prey They shine like candlelight upon an iron peer Crown of knives they shimmer like a neon chandelier Run your sweet and loving fingers Run your sweet and loving fingers… Along the edge…
6.
Saudi Arabia 04:34
I went and abandoned my love Left it outside a house of God I went and abandoned my love left it aloft the molten rock I dared a breach of trust Like a name engraved in the transient dust And with that I took off, I was gone I thought I was on the cusp I put my knees to the ground I prayed for exurbia I took my seat to the sky To Saudi Arabia I went and abandoned my love Left it aloft the molten rock From the sand an elephant’s tusk – A sculpture lit in the early dusk I put my knees to the ground I prayed for exurbia I took my seat to the sky To Saudi Arabia I went and abandoned my love Left it outside a house of God And with that I took off I was gone… before all was lost I put my knees to the ground I prayed for exurbia Then I took my seat to the sky To Saudi Arabia
7.
A love without violence No flashing of sirens The police came around and their holding him down and There are tears in the courtroom There’s anger in volume A thousand convictions A mother’s infliction I wannna save you I wanna save you I want a love without no violence Just want a love without, just want a love without violence Yeah a love without violence No claim for asylum Detained without bail A cell in a jail Either witness or suspect The blood has already been spilt All of us guilty…all of us guilty I wannna save you I wanna save you I want a love without no violence Just want a love without, just want a love without violence I want a love without violence No police and no sirens I want a love without violence Just want a love without violence I wannna save you I wanna save you I want a love without no violence Just wanna save you Just wanna save you Just want a love without no violence Just want a love without, Just want a love without violence
8.
Take it out of our hands Take it out of our hands It’s hard to understand like a needle in the neck gland Take it out of our hands Take it out of our lives Take it out of our lives The swarm has come alive and it’s fled to make a new hive Take it out of our lives Take it out of our hands Take it out of our hands Won’t you take it out of our hands? Won’t you take it out of our hands? Take it out of our reach They’ve stopped singing now they just preach When I tear it from my skin it goes bleeding like a dead leech Take it out of our reach Take it out of our hands Take it out of our hands Take it out of our hands Won’t you take it out of our hands?
9.
Elevation 02:18
Bleached monoxide A stale pesticide A harbour of dead crustations A swab of headlice A wasp genocide An arm rinsed with mild abrasions The stage is now in elevation The stage is now in elevation The stage is now in elevation A dark web recluse A grey stained tracksuit Damp walls and infestations Verbal abuse Barbed wired noose A family’s desecration The stage is now in elevation The stage is now in elevation The stage is now in elevation
10.
Hey friend I know you're trying, trying to get some rest From what haunts your soul From what haunts your soul I know you’re trying to get some, trying to get some rest From what haunts your soul From what haunts your soul I know friend, I know friend what torments you I drink the same blood as you do I found the same vein from which you drew And thoughts that fled your allies like a traitor And made friends with all your failures Too familiar are these behaviours So friend I know you're trying, trying to get some rest From what haunts your soul From what haunts your soul I know you're tired of looking darkness in the eye But lashing out at clouds won't find a clearing in the sky In the sky... A strength of mind so agile suddenly turns so fragile Possessed with fear of exile But I drove the car into the same wall as you did With the hope to feel more lucid So friend you needn't feel excluded from… Someone who knows your trying, trying to get some rest From what haunts your soul From what haunts your soul
11.
No damaging habit that makes my torso shake No bile or folic acid that makes my stomach ache Yet my mind is tragic - its voice severe My head is in my hands and I am bleeding from either ear Outwardly I’m friendly, harmless, polite Inwardly I’m seething, disbelieving at the sight Of my pale body My broken skin I am clawing at the walls but I feel myself falling I am falling, falling down a hate hole… I am bored of breathing My inner voice extreme I’ll guess I’ll go on living this requiem for a dream I am falling, falling down a hate hole… Falling down a hate hole…

about

DSS’s debut album Last Exercise in Cynicism continues with the theme of mental health that was explored in their first two EPs.
But where these records reflected on the cultural significance and increased awareness of this topic, the new record is more of a personal reflection on the trials of maintaining a healthy mind in challenging circumstances.

Tracks like A Love Without Violence, Elevation and Out of Our Hands explore the struggles of coping with a family member’s deteriorating mental health and their resulting anti social behaviour.

Reluctance in a culture of self-challenging and comfort breaking is the theme behind the album’s eponymous track two.

Midlife anxiety and self-worth are depicted in a nightmarish holiday complex scene in song Resort.

And Saudi Arabia defines the mourning that comes with giving up on life long dreams in place for a secure but uninspiring future.

DSS have sought inspiration from the likes of Jack White, Gang of Four, Marvin Gaye and PJ Harvey; they’ve incorporated garage rock, soul and post-punk in their sound to produce this hard hitting but thoughtful album.

The sonic tone of the record shifts between fuzz laden guitar riffs and Travis style finger picking, with Tom Wright’s super rhythmic percussion controlling the dynamic impact between soft and heavy melody.

Mike R Comber’s trade mark explosive and emotion driven vocals generate the vivid imagery of his lyrics, which are often stark, broken but beautiful.

The songs extract the bitten finger nails, the twitching eyelids and the restless nights from daily life to form an album that can relate and sympathise with its listener.

The penultimate song From What Haunts Your Soul is about encouraging a friend in need to speak out about their problems and to reassure them that they’re not alone. And the album certainly speaks out vividly and uncompromisingly by example.

Dead Skin Sessions are Mike R Comber on vocals and guitar, and Tom Wright on Drums.

credits

released October 4, 2022

Written and produced by Dead Skin Sessions.

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Dead Skin Sessions Brighton, UK

Dead Skin Sessions are an alt rock band from Brighton, UK. Angry but not angst, fierce yet vulnerable and aggressive but not ugly, the duo's low fi tone infuses sonic grit and jagged distortion to ignite their signature sound of upbeat raw emotion and fierce vulnerability. ... more

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